ART Exhibitions

My work is designed to have a strong local connection. My aim is to portray my subjects in a flattering light and encourage dialogue regarding the memories evoked and the merits for continued or inspired new uses.

My images feature landmarks, streetscapes, residential, commercial, and industrial heritage buildings, neighbourhood sites and artistic interpretations. My images create a warm feeling of familiarity in your home or office and makes a perfect gift for that hard to buy for individual."

In one image, she identifies with a large willow tree and attempts to become one of its appendages. The photographs reflect parts of her and combine herself with images.

Artists Bio
Fleur-Ange Lamothe was born in Smooth Rock Falls, Canada. A self-taught photographer from youth, she turned to art after retiring from her role of elementary school principal in 2004. She studied painting and drawing with Vjane Gordon. She has done artistic inquiries, performances and interventions. Her work has been exhibited in Canada, Cuba, Italy and Malta. The artist joined the collective Remix in 2008 and has recently returned from an artist exchange in Cuba.

There are drawings in my possession that go back to the ninth year. I still have these drawings because my parents lovingly saved them. Like Leonardo, I enjoyed drawing mechanisms and playing with Meccano models as a youngster. One of my art teachers at highschool suggested that I should work as a draughtsman. Hence, at age 17 years I started a year apprenticeship with a local truck maker in my home town in England. Eventually I became a design draughtsman and worked as such for fourteen years.
One of my manufacturing drawings of an army tank recovery trailer, made in 1943 when I was 21 years old, is in the Brantford Military Museum.

As a professional engineer in Canada I eventually worked for a succession of four companies as a technical representative. My ability to make quick isometric drawings to explain applications of company products proved very useful. With the above background in very precise drawings I make an effort to keep my paintings reasonably loose by working quick in Watercolour."
John Bonfield P.Eng.

With five generations of ancestry in Brantford, Tutt fuels a special connection to many of the artifacts used n his work. From old signs hand painted by his grandfather, to newspaper clippings mentioning other ancestors, his found object art speaks clearly to the significance of preserving both our own individual heritage as well as that of our cities and nation.

Using a printing technique called Giclée, derived from the French language word 'le gicleur' meaning 'nozzle', or more specifically 'gicler' meaning to 'squirt, spurt, or spray'. Tutt's work itself is printed with continuous tone inkjet technology, producing an exciting new medium that boasts unparalleled quality and longivity. Tutt's intriguing combination of past and present renders an image of exceptional clarity, serving the diversity of Tutt's work well, and honoring the historical significance of his subjects with it's quality and attention to detail.

A member and vice president of Central Ontario Art Association, past President of Brant Visual Artist Guild, Royal City Calligraphy Guild, Glenhyrst Gardens, Waterloo Arts Centre, Hamilton Calligraphy Guild.

She has successfully exhibited in juried shows and art rental galleries. Her work is in private collections in Canada, United States Of America, Scotland & England.

Her work can be viewed at various shows and by appointment at her home in Paris, Ontario.

The drawings and portraits that follow are only a few examples of what I've done over the years and I'll be adding to them as time permits. Please feel free to contact me if you'd like to see more.

I hope to encourage my viewers to explore the breadth, length, depth and height of their own being in the universe.